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Consoles, preamps, input channels, EQs, compressors, and dedicated studio distortion units were all studied in great detail to analyze just how analog circuity alters sounds that pass through it, especially how In creating Decapitator SoundToys collected and painstakingly analyzed the classic hardware that audio would be driven through in order to create the special character that we equate with analog. This crucial component of recorded sound, essentially the very concept of what we consider musical, can remain largely absent in the world of modern, digital recording. This is the reason why SoundToys created Decapitator. From the very subtle to the extreme, analog saturation is an integral part of great mixes. Saturation has been used to beef things up, thin them out, give them edge, fry them up nicely, add warmth, smooth over, pull elements out of the mix, and create signature sounds. The sound of tubes, transistors, and circuitry being pushed to their limit has long been the magic mojo behind recordings of the analog-era. Saturation its the essence of what makes analog hardware sound so musical and pleasing to the ears. The Background and History of Decapitation That means you can hear subtle changes as Decapitator reacts to a track and follows the dynamics of an instrument. Not a static snapshot, but a changing responsive model of all those tubes, wires and transistors.
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SoundToys worked hard to capture the feel of analog gear. SoundToys Decapitator is not just a simple approximation of the analog sound. Decapitator is THE secret weapon of top mix engineers. SoundToys Decapitator Plug-In SoundToys Decapitator Analog Saturation Modeler Plug-In provides subtle to extreme hardware-modelled saturation.
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